Roland-Garros 2026 brings 24 events and 899 matches to the Stade Roland-Garros across three weeks. But beyond the action on the iconic clay, this edition introduces a striking number of changes, to the rules of play, the spectator experience, the production of the TV broadcast, and the tournament’s broader ambitions on inclusion and gastronomy. Here’s a comprehensive look at what’s different this year.
Are there still human line judges at Roland-Garros?
Yes. Roland-Garros remains the only Grand Slam to retain human line judges in 2026. While the Australian Open, Wimbledon and the US Open have all transitioned to electronic line-calling systems, the French Open continues to rely on the traditional model. The decision reflects the tournament’s attachment to the human element of officiating on clay, where the ball leaves a visible mark on the surface, a feature unique to this Grand Slam that has always allowed players to challenge calls by pointing to the mark.
Can players wear connected devices during matches?
For the first time ever at a Grand Slam, wearable technology devices will be authorized on a trial basis during matches at Roland-Garros 2026. Players will be permitted to use any device from the “Player Analysis Technology” list approved by World Tennis – such as Whoop bands – to access biometric data on their physical performance and recovery during competition. This trial will begin at Roland-Garros and continue at the other Grand Slams throughout the 2026 season.
The decision marks a sharp contrast with the 2026 Australian Open, where the issue erupted into a public controversy. During the tournament in January, umpires ordered Carlos Alcaraz, Jannik Sinner and Aryna Sabalenka to remove their Whoop devices before their matches, despite the trackers being approved for in-match use on the ATP and WTA Tours.
Whoop CEO Will Ahmed pushed back publicly, arguing that blocking access to personal health data does not protect sport. The episode sparked a week-long debate and prompted the three remaining Grand Slams to take a different path. Roland-Garros, Wimbledon and the US Open have since cleared wearables for competition; the Australian Open has not yet reversed its ban.
What’s changed on and off the court?
Several structural changes affect the competition itself and the players’ experience this year.
Men’s doubles final brought forward. The men’s doubles final, traditionally played after the women’s singles final, has been moved to 11:00 AM on Saturday 6 June, before the women’s final. This gives the doubles event its own spotlight and eases the scheduling pressure on finals day.
Finals ceremonies reimagined by Benjamin Millepied. The dancer and choreographer has been invited to create the opening ceremonies for both the women’s and men’s singles finals on Court Philippe-Chatrier. He will present a different show for each final, with dancers dressed by Lacoste. The ceremonies are designed to work for both the crowd in the stadium and the TV audience worldwide.
A redesigned Recovery & Serenity Center. The players’ recovery area on Court Philippe-Chatrier has been renamed and expanded. It now includes a recovery room with the latest technologies, a hyperbaric chamber to optimize oxygenation and accelerate muscle recovery, and a cryotherapy room. For the first time, two clay courts have been built at the National Training Center so players can train in optimal conditions even during bad weather.
A revamped Players’ Restaurant and new Players’ Café. The players’ restaurant on Court Philippe-Chatrier has been enlarged with a new culinary offer adapted to elite athletes. A new relaxation space, the Players’ Café, gives players and their entourages an informal gathering point inside the stadium. The quiet room and beauty room have been redesigned with luxury hospitality brand MGallery Collection (Accor).
Cyber-harassment protection renewed. For the second year, the FFT deploys the Threat Matrix – Signify system (also used at the US Open and Wimbledon) to detect and analyze violent and hateful messages targeting players on social media. In 2025, the system analyzed more than 500,000 posts and identified 2,992 pieces of hateful content.
What new experiences await spectators?
This is where the 2026 edition makes its biggest leap.
Real-time crowd indicators for outside courts. For the first time, spectators can check the occupancy level of outside courts in real time — via screens in the stadium’s walkways and through the official Roland-Garros app. A color-coded gauge (green, orange, red) with percentage fill will help fans plan their day and avoid fully packed courts. The system will be active until the start of the final week.
Le Jardin des Chefs. A brand-new dining destination set in the Jardin des Serres d’Auteuil, steps from Court Simonne-Mathieu. From 24 May to 5 June, some of France’s most acclaimed chefs – including Michelin-starred names like Pascal Barbot, Jessica Préalpato and Yves Camdeborde – will take turns preparing signature dishes and exclusive recipes in front of the public. Lunch runs from 11:30 AM to 3:30 PM with two chefs and a pastry chef each day. In the evening, Yves Camdeborde takes over with a “Bodega” spirit and shareable plates. The space includes a 1,200 m² terrace with two giant screens, a cocktail bar, live music and a virtual-reality hot-air balloon ride offering an aerial view of the stadium.
Tribune Concorde returns — bigger and earlier. The free fan zone on Place de la Concorde is back from 3 to 7 June, now with 3,800 seats (1,000 more than 2025) across 6,000 m². It opens at noon instead of 2 PM. Two giant screens broadcast Philippe-Chatrier matches live. Trophy winners will visit the site to present their silverware, as Coco Gauff did last year. Food trucks, a Roland-Garros shop, Perrier activations, a Renault 5 Roland-Garros E-Tech display and Urban Tennis courts complete the offering.
Pickleball comes to Roland-Garros. The FFT – which recently obtained the official delegation for pickleball in France – will set up a pickleball court near Porte 1 for the entire three weeks. Two Urban Tennis courts will also be available for spectators near Courts Simonne-Mathieu and Suzanne-Lenglen.
Infosys AI innovations. The tournament’s technology partner deploys a new wave of AI-powered tools: a conversational stats chatbot, natural-language AI interaction, match momentum visualization, enriched commentary (now available in French for the first time), player performance tools and new features for accredited media.
Sound for All and visually impaired headsets. A new accessibility feature for the first and second rounds: headsets that enhance residual vision for visually impaired spectators, allowing them to follow matches with their own eyes. From the quarter-finals onward, “Sound for All” lets any spectator access immersive court sound, commentary and left-right audio spatialization through their smartphone earbuds via the Roland-Garros app.
Enhanced TV production. Around 750 people will produce the tournament’s broadcast. New this year: a second drone flying above courts 15 and 16, offering unprecedented aerial shots of the entire stadium with Paris and the Eiffel Tower as backdrop. Enhanced statistics overlays on Philippe-Chatrier and Suzanne-Lenglen, a new TV graphics package, and for the first time, English-language commentary on Court Suzanne-Lenglen during Opening Week. External cameras on the Galeries Lafayette terrace and the Tribune Concorde will capture views of Parisian landmarks during the final five days.
What surface is Roland-Garros played on?
Roland-Garros is the only Grand Slam played on clay — specifically the tournament’s signature red terre battue made from crushed brick. The surface is slower and produces a higher bounce than grass or hard courts, which favors baseline rallies and physical endurance. Each court is resurfaced and maintained daily during the tournament, a ritual that remains part of Roland-Garros’s identity and was itself the inspiration for artist JR’s official 2026 tournament poster.